Off West End Gösteriler

Absolut sehenswert!!! Die perfekte Illusion in einem tollen Ambiente. Gleichzeitig aber erschreckend wie weit die Technik schon ist um uns eine Welt vorzugaukeln, die es nicht gibt.....

Immer wieder voll Cool und schön Laut Als Abba Fan, ein Absolutes Highlight in London. Leider sind Bilder vom Inneren nicht erlaubt und die Kontrollen sind sehr genau. Aber Wir waren schon 2 mal im Abba Stadion und haben es noch nie Bereut.

Seriously, one of the best things I've ever spent money on! Freshly adulted daughter and I enjoyed every minute. Must see!

I am visiting England from the US. I thought it would be great to get in a show while in London, and, boy did I make a great choice. The show itself was fantastic. Beyond my expectations. To have the actors come in from all doors, utilizing the entire theater was so unexpected. The ambiance, setting is ideal. The venue is perfect. I wouldn't change a thing. This is now one of my top favorite shows. I look forward to seeing it again.

I finally got the chance to see one of Agatha Christie's (queen of whodunit) works as a stage play and it was absolutely brilliant!

Come Alive is, quite simply, theatrical magic — the kind that reminds you why live performance can feel so transcendent. From the moment the performances begin, the show pulses with energy, confidence, and an almost infectious joy that never lets up. What makes Come Alive stand out is how utterly immersive it feels. It doesn’t just tell a story — it invites you into it. The staging is bold and inventive, constantly shifting in ways that keep your eyes darting across the stage, afraid to miss a single detail. Every transition feels seamless, almost cinematic, yet unmistakably live. It’s the rare production where spectacle enhances emotion rather than overshadowing it. The performances are nothing short of extraordinary. The cast radiates charisma, delivering vocals that are both technically flawless and emotionally charged. There’s a genuine sense that everyone on stage is giving their all, and that commitment translates directly to the audience. The leads anchor the show beautifully, but it’s the ensemble that gives Come Alive its heartbeat — every movement, every harmony, every moment of choreography feels purposeful and alive. Speaking of choreography, it’s electric. The dance numbers are dynamic and exhilarating, blending precision with personality. There’s a physicality to the movement that mirrors the show’s themes of transformation and possibility, making each number feel like a celebration of what the human body — and spirit — can do. And then there’s the music. The score is packed with high-energy numbers and emotionally resonant moments, each song building on the last until the entire theatre feels like it’s vibrating with sound. The title number, “Come Alive,” is a particular standout — a showstopper in every sense, with a crescendo that feels like it could lift the roof off the building. It’s the kind of moment where you look around and realize everyone is completely swept up in the same feeling. In short, Come Alive isn’t just a musical — it’s an experience. Bold, joyful, and deeply moving, it lingers long after the final bow. If this isn’t the best musical I’ve ever seen, it’s certainly the one that felt the most alive.

The Come Alive show was truly amazing, the performers were entertaining, exhibiting some difficult acrobatic moves and never a dull moment at the show. Well done! We will definitely be back for more.

Es war ein magischer Nachmittag. Das Theather ist eine Mischung aus Puppenspiel und Musical. Die Darsteller selber singen nicht,werden aber von einer unglaublich guten Sängerin begeitet die im japanischen Original singt. Die Musik wird live gespielt,was für Gäansehautmomente sorgt.